Las exposiciones de El Lissitzky a través del Cine-ojo

  1. Paz-Agras, Luz
Journal:
VLC arquitectura. Research Journal

ISSN: 2341-2747,  2341-3050

Year of publication: 2017

Volume: 4

Issue: 1

Pages: 151-174

Type: Article

DOI: 10.4995/VLC.2017.6987 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: VLC arquitectura. Research Journal

Sustainable development goals

Abstract

The Avant-Garde movements of the twentieth century explored the creative possibilities of new types of media in architecture, such as the photographic camera or cinema. In a series of experimental projects, authors such as El Lissitzky based their work on assimilating the human eye with a mechanical lens, making it possible to create new concepts of space. A simultaneous consideration of the resources of Vertov’s Cine-Eye in relation to the exhibition projects of El Lissitzky reveals some of his proposals as paradigmatic examples of the perceptive experimentation of the viewer in relation to art, and in a wider sense, to architecture. By analysing the cinematic resources of the film Man with a Movie Camera (1929), architectural aspects are analysed in the exhibition spaces of the Abstract Cabinet and PRESSA, identifying connections that break down the boundaries between the different disciplines.

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