Muriel Rukeyser’s "The Book of the Dead" and the representational challenges of slow violence

  1. Begoña Simal-González 1
  1. 1 Universidade da Coruña
    info

    Universidade da Coruña

    La Coruña, España

    ROR https://ror.org/01qckj285

Revista:
Revista de Estudios Norteamericanos

ISSN: 1133-309X,  2253-8410

Año de publicación: 2022

Número: 26

Tipo: Artículo

DOI: 10.12795/REN.2022.I26.07 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Revista de Estudios Norteamericanos

Objetivos de desarrollo sostenible

Resumen

Los sucesos narrados por Muriel Rukeyser en The Book of the Dead (1938) constituyen un buen ejemplo de lo que Rob Nixon denomina “violencia lenta,” un tipo de violencia alejada de la espectacularidad, violencia de progresivo “desgaste” difícil de trasladar a una obra literaria. Este artículo estudia las estrategias desplegadas por Rukeyser para superar esos obstáculos a la hora de representar literariamente la “violencia lenta”: optando, primero, por un patchwork de géneros, eligiendo, además, la estructura del poemasecuencia polifónico y, por último, dando visibilidad al proceso de “wastification” o “basurización” de los mineros que protagonizan el poema. Leído desde la óptica de las recientes corrientes críticas conocidas como Waste Studies y Waste Theory, The Book of the Dead se erige como una de las primeras obras poéticas en examinar de forma conjunta la materialidad de los desechos tóxicos (el polvo de sílice) y la “basurización” humana.

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Fuente de los datos: Dialnet