Construcciones y transgresiones de la música en las series de ambientación histórica / Constructions and transgressions of music in the series of historical background

  1. Piñeiro Otero, Teresa 1
  1. 1 Universidade da Coruña
    info

    Universidade da Coruña

    La Coruña, España

    ROR https://ror.org/01qckj285

Journal:
Vivat Academia

ISSN: 1575-2844

Year of publication: 2018

Issue: 144

Pages: 95-110

Type: Article

DOI: 10.15178/VA.2018.144.95-110 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Vivat Academia

Abstract

Music plays an essential role in the viewing experience of the viewer. Although in the audiovisual story the image is the conscious focus of attention, music provides a series of effects, sensations or meanings that add value to the narrative and are projected as part of the visual discourse. Among the functions of audiovisual music stands out the one of creating convincing atmospheres of time or place. This function of "local color" acquires particular relevance in the series of epoch due to its possibility of giving realism to its setting. At a time when television productions have increased their technical and artistic quality, the selection / creation and use of music has acquired a special projection in the construction of the audiovisual story. In this sense, the object of the present work has been to make an approximation to the use of music in the previous time series, especially in regard to pre-existing themes. An approach that has allowed to point out different trends in the design of the scoring paying attention to their fidelity.

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