Max Bill, Architecture and ArtConnections between the Ulm School of Design and the Pavilion-Sculptures
- Álvarez-García, Paula
- López-Bahut, Emma
ISSN: 1133-6137, 2254-6103
Year of publication: 2018
Issue Title: Conversando con... Emilio Tuñón (parte 2)
Volume: 23
Issue: 33
Pages: 178-189
Type: Article
More publications in: EGA: revista de expresión gráfica arquitectónica
Abstract
In this article we explore the links between the Pavilion-Sculptures (1968-97) and the Ulm School of Design (1953), both of which formed part of the work of the multitalented artist and architect Max Bill. Through a graphic analysis, we study aspects such as location, movement, or spatial composition in his work, discovering the existence of a connection in the way he planned projects in different disciplines, and the influence of architecture on his sculpture in these two cases. We detect an abstract and historicist presence in the work of this defender of “concrete art,” who, a priori, avoided symbols. Historicist concepts are also found in the work of this artist, heir to the modern principles of the Bauhaus, which he updated to create the Ulm School of Design.
Bibliographic References
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